Die Turntablelistin interpretiert Stefan Goldmanns Ghost Hemiola, das aus Endlosrillen mit in Messer geschnittenen Vinylcuts bestand. creatio ex nihilio in Konsequenz.
Unlike with her live performances, for Plays Cha vez employs digital processes extensively, zooming into minute details of sound and the artefacts of both mediums, the tangible vinyl record and disembodied digital audio. Narrowing down shards of sound to extremely short frames creates metallic timbres, reverberating quasi- spaces and percussive layers. Slowing down the tempo until sound halts at one sample of its digital representation brings forth emergent frequencies, which Cha vez then uses to play melodies - vaguely resembling her analog technique of playing melodies by skipping a stylus back and forth across a test tone record.
Tracks: 1. I 2. II 3. III 4. IV, 5. V, 6. VI 7. VII 8. VIII 9. IX 10. X 11. XI